Hollywood SFX




Hollywood Special Effects









We laugh at those now however Hollywood FX had to begin somewhere. Some people think that there is an over reliance on unique effects, to the hinderance of story and characterization.


Matte painted backgrounds and miniature models served films well for a long period of time, enabling futuristic movies such as Fritz Lang's Metropolis. A combination of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great look real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. War movies that required sea fight video footage utilized miniature designs in huge water tanks. This, and a method known as traveling matte, developed the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of special effects gurus.


Further advancement came when effects supervisor Douglas Trumball developed new techniques for the last voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas increased to the difficulty and shocked audiences with Star Wars in 1977. His group invented a new computer managed electronic camera that enhanced duplicated video camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has pioneered Hollywood FX ever since.


Today, we are used to the concept of films being shot with a blue screen and the background being included later. The effects team at Pixar has actually introduced it to their complete length animations, such as Toy Story. The Weta workshop in New Zealand has actually built a track record as one of the best special effects companies, specifically given that the success of the Lord of the Rings trilogy.


effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has actually made the return of the legendary movie possible.


We laugh at those now but Hollywood FX had to start somewhere. A combination of minis and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful appearance real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX ever considering that.




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